Support UM News on World Press Freedom Day: Give to help sustain and expand the storytelling capacity of UM News. Your donation today will transform information into inspiration and ensure we can continue sharing stories of God’s work in the world through The UMC. Help us reach our $10,000 goal and keep this vital ministry fair, faithful, trusted and free for all!

‘Black Church’ film taps United Methodist sources

Henry Louis Gates Jr. visits the church he grew up attending, Waldon United Methodist in Piedmont, W.Va., for a scene in the new PBS documentary “The Black Church: This Is Our Story, This Is Our Song.” Photo courtesy of PBS.
Henry Louis Gates Jr. visits the church he grew up attending, Waldon United Methodist in Piedmont, W.Va., for a scene in the new PBS documentary “The Black Church: This Is Our Story, This Is Our Song.” Photo courtesy of PBS.

The United Methodist Church has a supporting role in the new PBS documentary “The Black Church: This Is Our Story, This Is Our Song,” which airs Feb. 16-17 across the U.S.

Henry Louis Gates Jr., the host, writer and executive producer, begins and ends the film with a visit to his boyhood church, Waldon United Methodist in Piedmont, West Virginia.

“The lessons I learned here, the power of faith, the importance of community, have remained with me and sustained me, the same way the Black church has sustained the African American people from the days of slavery to this day,” Gates says as he stands in front of the small, white-frame structure.

The documentary also draws heavily on resources of the United Methodist Commission on Archives and History, based at Drew University in Madison, New Jersey.

More than 50 images used in “The Black Church” come from Archives and History’s vast collection of historic photos.

“It felt like hitting a gold mine,” said Megan Graham, archival producer for McGee Media, production company for the documentary.

An undated photo in front of Augusta Street Methodist Episcopal Church, in Staunton, Va., appears in the PBS documentary “The Black Church,” airing Feb. 16-17. The handwritten information with the photo says, “Washington Conference group, Staunton, Virginia.” The United Methodist Commission on Archives and History provided the filmmakers with that photo and more than 50 others. Photo Courtesy of the United Methodist Commission on Archives and History.
An undated photo in front of Augusta Street Methodist Episcopal Church, in Staunton, Va., appears in the PBS documentary “The Black Church,” airing Feb. 16-17. The handwritten information with the photo says, “Washington Conference group, Staunton, Virginia.” The United Methodist Commission on Archives and History provided the filmmakers with that photo and more than 50 others. Photo Courtesy of the United Methodist Commission on Archives and History.

In “The Black Church,” photos and footage are complemented with interviews of leading Black clergy, scholars, musicians and social commentators, such as the Rev. William Barber II, Episcopal Church Presiding Bishop Michael Curry, Bishop T.D. Jakes, Cornel West, Yolanda Adams, John Legend, BeBe Winans and Oprah Winfrey.

Larry Murphy, emeritus professor of the history of Christianity at United Methodist Garrett-Evangelical Theological Seminary, is another expert interviewed in several clips.

Gates does the questioning.

He’s the Alphonse Fletcher University Professor at Harvard University and director of the Hutchins Center for African and African American Research.

Gates also hosts the PBS series “Finding Your Roots” and his previous documentaries include “The African Americans: Many Rivers to Cross,” a Peabody Award-winner.

“The Black Church” devotes four hours in two parts to exploring the 400-year history of African Americans and Christianity.

“This is the story and song our ancestors bequeathed to us, and it comes at a time in our country when the very things they struggled and died for — faith and freedom, justice and equality, democracy and grace — all are on the line,” Gates said in a press release.

The new PBS documentary “The Black Church: This Is Our Story, This Is Our Song,” makes use of more than 50 historic photos from the United Methodist Commission on Archives and History. The hand-written information on this image reads, “Coming from Sunday School. Arkansas.” Photo courtesy of the United Methodist Commission on Archives and History.
The new PBS documentary “The Black Church: This Is Our Story, This Is Our Song,” makes use of more than 50 historic photos from the United Methodist Commission on Archives and History. The hand-written information on this image reads, “Coming from Sunday School. Arkansas.” Photo courtesy of the United Methodist Commission on Archives and History.

Among the historical figures highlighted in the film is Richard Allen, a former slave who became the first African American ordained to ministry in the Methodist Episcopal Church.

Frustrated by discrimination within that denomination, Allen would break away and lead the founding of the African Methodist Episcopal Church, serving as its first bishop.

Among the contemporary voices prominent in “The Black Church” is Bishop Vashti Murphy McKenzie, the first woman elected to the AME Church episcopacy.

Tuning in

The PBS documentary "The Black Church: This Is Our Story, This Is Our Song" premieres at 9 p.m. Eastern time Feb. 16-17 on TV stations nationwide, but check local listings.
Host, writer and executive producer Henry Louis Gates Jr. previews the four-hour film in this short video.
Seven “Negro Albums” from the United Methodist Archives and History collection provided more than 50 photos used in the documentary. Click here to see those and other albums in Archives and History’s Mission Album Collection.

Graham and others at McGee Media worked on the historical parts of the film, including the expansion of Methodism.

“I started digging into The United Methodist Church and found out they have this amazing archive,” Graham said.

In 1989, the United Methodist Board of Global Ministries gave to Archives and History a collection of more than 100,000 photos, most taken in the early 1900s.

They represent an organized effort by many photographers to document Methodist mission work and the communities in which that work was occurring, in the U.S. and internationally.

More and more scholars have used the collection, especially since Archives and History undertook a major effort to put the images online.

Seven “Negro Albums” are part of the collection, and they hold roughly 4,200 photos, said Frances Lyons, reference archivist for Archives and History.

Graham and colleagues looked at hundreds of them to choose those used in “The Black Church.”

“The thing that’s really amazing about this collection is that it shows such diversity,” Graham said. “You see the way the church moved outside the church walls and into the community.”

There are photos of children in their Sunday best, but also of Methodist conferences and of social workers visiting settlement houses.

One image used in the film shows Black people in Granada, Mississippi, boarding a northbound train with lots of luggage. The collection also has images of luggage-bound Black people arriving in Chicago from the South, clearly ready to make a fresh start.

Among the historic images provided by the United Methodist Commission on Archives and History for the new PBS film “The Black Church” is this one showing African Americans from the South arriving in Chicago. More than 50 photos from Archives and History are seen in the documentary. Photo courtesy of the United Methodist Commission on Archives and History.
Among the historic images provided by the United Methodist Commission on Archives and History for the new PBS film “The Black Church” is this one showing African Americans from the South arriving in Chicago. More than 50 photos from Archives and History are seen in the documentary. Photo courtesy of the United Methodist Commission on Archives and History.

“The train photos were so helpful visually in talking about the Great Migration,” Graham said, referring to the epic movement of African Americans from South to North in the early 20th century.

Researchers were able to find what they needed online, and never visited Archives and History in person. But they required Lyons’ help.

“She was super responsive and easy to work with, a great reference librarian and resource,” Graham said.

SBC21 offers sneak peek

Strengthening the Black Church for the 21st Century, one of the racial ethnic plans of The United Methodist Church, will offer a 25-minute sneak peek of PBS’s “The Black Church,” followed by discussion. The online event is Feb. 15 at 6 p.m. Central time.
Click here for more information and to register.

Though Gates did not remain a Methodist, his experience attending Waldon United Methodist Church in his youth is documented in the film and a companion book coming out soon from Penguin Press.

Gates and a film crew visited tiny Waldon United Methodist Church on June 9, 2019, a Sunday.

“There were a lot more people there than usual because he was coming,” said the Rev. Marybeth Chien, pastor.

Chien said Gates is well remembered at the church as “Skip” — a nickname he still goes by — and got many a hug from family members and friends. The film shows him choking up as he talks about the old days at Waldon.

He’s also seen breaking into song. The congregation joins in for a rousing version of the gospel hymn “I Believe I’ll Go Back Home.”

Leola Stewart, a longtime member of Waldon United Methodist, said by phone that she used to babysit for Gates. She was at church the day he and the film crew came, and she’ll be in front of her TV for “The Black Church.”

“I can’t wait.”

Hodges is a Dallas-based writer for United Methodist News. Contact him at 615-742-5470 or [email protected]. To read more United Methodist news, subscribe to the free Daily or Weekly Digests. 


Like what you're reading? Support the ministry of UM News! Your support ensures the latest denominational news, dynamic stories and informative articles will continue to connect our global community. Make a tax-deductible donation at ResourceUMC.org/GiveUMCom.

Sign up for our newsletter!

Subscribe Now
Local Church
The Rev. Dale Cohen (right) leads a discussion about the differences between solitude and loneliness with singer-songwriter Bay Simpson during Crafted Conversations at the Singin’ River Brewing Co. in Florence, Ala. Cohen is senior pastor of First United Methodist Church in Florence.

Songs spark spiritual conversations at brew pub

Once a month, a United Methodist pastor hires a songwriter for an evening of music and contemplation at Singin’ River Brewing Co. in Florence, Alabama. Those discussions get deep sometimes.
Church History
“Called by Name,” at left, is by contemporary American artist Laura James. At right is “Mary Magdalene Proclaims Resurrection!” also by James. A commission to paint images of Mary Magdalene from Scripture led James to rethink her assumptions about the witness to Christ’s resurrection. United Methodists say Mary Magdalene’s role as apostle offers lessons for today when women’s roles remains highly contested. Images courtesy of Laura James. Used with permission.

The quite contrary story of Mary Magdalene

She’s long had the reputation as the Gospels’ bad girl, but the biblical account of Mary Magdalene is very different. United Methodists think her role as apostle offers lessons for today.
General Church
Six bishops lead the opening worship and communion service at Black Methodists for Church Renewal’s 58th General Meeting at Holman United Methodist Church in Los Angeles on March 19. From left are Bishops Cedrick Bridgeforth, Tracy S. Malone, Dottie Escobedo-Frank, Cynthia Moore-Koikoi, Julius C. Trimble and Kennetha J. Bigham-Tsai. The three-day meeting included an Ebony Bishops panel discussion on “The State of the Church,” reports on the Black College Fund and Africa University and information on the revised Social Principles and social entrepreneurship. Photo by John W. Coleman, UM News.

Black caucus finds hope in work ahead

During the 58th annual gathering of Black Methodists for Church Renewal, members were called to fight for justice and challenge systems of inequality.

United Methodist Communications is an agency of The United Methodist Church

©2025 United Methodist Communications. All Rights Reserved